{"title":"Recommends","description":"","products":[{"product_id":"faith-elliot-dryas-lp","title":"Faith Elliot - Dryas LP (pastel pink vinyl)","description":"\u003cdiv id=\"block-yui_3_17_2_1_1739394691936_59509\" data-sqsp-block=\"text\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cdiv data-sqsp-text-block-content=\"\" class=\"sqs-html-content\"\u003e\n\u003cp class=\"\"\u003eRecorded during two week-long sessions in Perthshire at community space The Big Shed, Faith’s expansive and ambitious new album \u003cstrong\u003e\u003cem\u003eDryas\u003c\/em\u003e \u003c\/strong\u003ewas made in close collaboration with longtime creative foil \u003cstrong\u003eRobyn Dawson\u003c\/strong\u003e, who produced, engineered and arranged the record as well as contributed string parts. \u003cem\u003e“Robyn and I have been collaborating for many years in a live setting, building a lot of shorthand and shared sensibilities,” \u003c\/em\u003esays Faith \u003cem\u003e“A few years back, when she mentioned pursuing engineering and production, I suggested we make an album together. As luck would have it, she was keen!”\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"block-yui_3_17_2_1_1739438371869_17759\" data-sqsp-block=\"text\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cdiv id=\"yui_3_17_2_1_1774209391744_476\" class=\"sqs-block-content\"\u003e\n\u003cdiv id=\"yui_3_17_2_1_1774209391744_475\" data-sqsp-text-block-content=\"\" class=\"sqs-html-content\"\u003e\n\u003cp id=\"yui_3_17_2_1_1774209391744_474\" class=\"\"\u003eAlso featuring Signy Jakobsdottir on percussion, Susan Bear on synths and bass, trumpet by Ali Hendry, alto recorders by Pual Northcott and piano by Katarzyna Wiktorski, \u003cstrong\u003e\u003cem\u003eDryas \u003c\/em\u003e\u003c\/strong\u003eis a triumph of storytelling and world-building. Formed of everything from orchestral elements to electronic textures and found sounds, it’s full of musical landscapes as fascinating as the lyrical organisms that populate them. Taking its title from an arctic plant which thrived during periods of extreme cooling near the end of the last ice age (ancient history and archaeology are among Faith’s many passions), \u003cstrong\u003e\u003cem\u003eDryas\u003c\/em\u003e\u003c\/strong\u003e is a record about resilience, reassurance and sweet release. It feels almost like a kind of sonic menagerie, full of collected intellectual curio, emotions, memories, and strange animal and spirit creatures. Including at least one bear high on hallucinogenic honey. \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eAvailable as a limited edition LP in pastel-pink vinyl, comes with an exclusive printed zine.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Good Vibes Neighbourhood Store","offers":[{"title":"Default Title","offer_id":57153100710270,"sku":null,"price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/4032\/2968\/files\/dryas-vinyl-square-close_jpg.webp?v=1774209509"},{"product_id":"pictish-trail-life-slime-lp","title":"Pictish Trail - Life Slime LP (blue vinyl)","description":"\u003cdiv class=\"xt0psk2\"\u003e\n\u003cp class=\"_ap3a _aaco _aacu _aacx _aad7 _aade\" dir=\"auto\"\u003e'Life Slime' is the sixth full-length album by Pictish Trail (AKA Johnny Lynch) — a strange, tender, psychedelic electro-pop record shaped by transformation, exhaustion, hope, guilt, and renewal. Written at home on the Isle of Eigg and recorded at Mike Lindsay’s studio down in Margate (Tunng \/ LUMP), the album follows 2022’s critically acclaimed Island Family, further refining Lynch’s world of lo-fi electronics, warped pop melodies, baggy psych rhythms and emotionally direct songwriting. It’s a record that balances woozy synth-pop, motorik propulsion and intimate acoustic songwriting, all infused with the emotional messiness that gives the album its title.\u003c\/p\u003e\n\u003cp class=\"_ap3a _aaco _aacu _aacx _aad7 _aade\" dir=\"auto\"\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eAcross the album’s singles — the guilt-stained psych-pop ballad ‘Hold It’, the life-affirming shimmer of ‘Infinity Ooze’, the late-night confession of ‘Torch Song’, the expansive eight-minute centrepiece ‘Another Way’, and the cinematic closer ‘Werewolf Ending’ — Life Slime charts a journey from emotional fracture to uneasy release. ‘Sorry Eyes’ brings a punchy electro-pop strut with a sharp emotional edge, ‘Crystal Cave’ drifts through crystalline guitars and shoegaze haze into transformation, and the title track ‘Life Slime’ moves with a slow, weary swagger toward bittersweet acceptance. Together, these tracks form a cohesive album statement about surrender, resistance, change and renewal.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eLP\u003c\/strong\u003e: Fan first \/ tour\/ Good Vibes exclusive: \u003cem\u003ePrimordial Blue-In-Pink Goo Edition\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Good Vibes Neighbourhood Store","offers":[{"title":"Default Title","offer_id":57153118437758,"sku":null,"price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/4032\/2968\/files\/0043747093_10_jpg.webp?v=1780497980"},{"product_id":"free-love-inside-lp","title":"Free Love - Inside LP (eco vinyl)","description":"\u003cp class=\"\"\u003e\u003cem\u003e\"The sounds and themes on \u003c\/em\u003e\u003cstrong\u003e\u003cem\u003eINSIDE\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003e came from the experiments we started working on throughout lockdown in our home studio, FULL ASHRAM CELESTIAL GARDEN,” \u003c\/em\u003esays Lewis.\u003cem\u003e “Sometimes we’d leave a sound running on loop until little melodies would come in and then that would start to take the form of the track. It has been a weird time for anyone to be making anything creative – to make sense of any reason to it all, we had to position creating music as an essential ritualistic part of our daily existence. We used the studio as a portal and made \u003c\/em\u003e\u003cstrong\u003e\u003cem\u003eINSIDE\u003c\/em\u003e\u003c\/strong\u003e\u003cem\u003e.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cstrong\u003eFree Love’s\u003c\/strong\u003e euphoric live show has seen them tour Europe, USA, India and Russia with the likes of \u003cstrong\u003eThe Flaming Lips\u003c\/strong\u003e, \u003cstrong\u003eLiars\u003c\/strong\u003e and \u003cstrong\u003eJames Holden and The Animal Spirits\u003c\/strong\u003e, with Suzi often tearing through the audience centring the energy in the middle of the room over the live hardware electronics operated by Lewis from the stage turning into a ritualistic communal catharsis. As well as performing their debut \u003cstrong\u003eBoiler Room\u003c\/strong\u003e live set from their home studio during lockdown, the band remixed music for \u003cstrong\u003eDjango Django\u003c\/strong\u003e and \u003cstrong\u003eCharlotte Gainsbourg.\u003c\/strong\u003e\u003c\/p\u003e","brand":"Good Vibes Neighbourhood Store","offers":[{"title":"Default Title","offer_id":57153139704190,"sku":null,"price":23.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/4032\/2968\/files\/INSIDE_COVER_square_png.webp?v=1774209992"},{"product_id":"jill-lorean-peace-cult-lp","title":"Jill Lorean - Peace Cult LP (fudge coloured vinyl)","description":"\u003cp\u003eOn debut album This Rock Jill Lorean captured her musical sketches in a three-day burst of inspiration – mics hung from the ceiling, cracks showing, a document of that exact time and place. It’s follow-up, the sprawling \u003ci\u003ePeace Cult,\u003c\/i\u003e finds the same trio of Jill Lorean, Andy Monaghan (Frightened Rabbit) and Pete Kelly working with far more space and control, Jill’s fragmented ideas brought together over time, with very deliberate care and attention, with a generous focus on the finer details. \u003c\/p\u003e\n\u003cp\u003eFormed of eleven new songs, \u003ci\u003ePeace Cult\u003c\/i\u003e is once again released via Monohands Records, and it makes for a bold new step in Jill Lorean’s career, one that has seen her develop from early success with her band Sparrow and The Workshop, through various projects including Three Queens In Mourning (with Alex Nielsen and Alisdair Roberts), Scottish collective Hen Hoose, as well as a rich body of theatre and soundtrack work. \u003c\/p\u003e\n\u003cp\u003eFront and centre of the new work is the burgeoning relationship on Jill Lorean as a trio, rather than the solo project that the name suggests. Monaghan especially was involved from the outset of the work, both he and Pete Kelly infusing Jill’s sketches with vivid ideas of their own. The result is an expansion of the previous palette, a rousing concoction of piano, synth, harmonica, bowed guitars, and more, pieces of a puzzle that see the ideas explored on This Rock find new shapes and colours all of their own. \u003c\/p\u003e","brand":"Good Vibes Neighbourhood Store","offers":[{"title":"Default Title","offer_id":57163338580350,"sku":null,"price":23.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/4032\/2968\/files\/Peace_Cult_114f8b9b_thumbnail_4096.webp?v=1774439154"},{"product_id":"sophie-product-lp-crystal-clear-vinyl","title":"Sophie - Product LP (crystal clear vinyl)","description":"\u003cp\u003eTo mark 10 years since SOPHIE's game-changing singles collection \u003cem\u003ePRODUCT\u003c\/em\u003e, Numbers are celebrating with a special edition featuring 11 songs across Deluxe Vinyl and Compact Disc. This anniversary release includes bonus tracks, track-by-track slide posters, and a \u003cem\u003eSOPHIE PRODUCT Card\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eSOPHIE classics ‘\u003cem\u003eBIPP\u003c\/em\u003e', ‘\u003cem\u003eLEMONADE\u003c\/em\u003e’ and ‘\u003cem\u003eVYZEE\u003c\/em\u003e’ are joined by two immaculate \u003cem\u003ePRODUCT\u003c\/em\u003e-era songs ‘\u003cem\u003eOOH\u003c\/em\u003e’ and ‘\u003cem\u003eGET HIGHER\u003c\/em\u003e’ recorded and produced at the time, each with colorful single artwork completing the set.\u003c\/p\u003e\n\u003cp\u003e‘\u003cem\u003eOOH\u003c\/em\u003e’ is one of SOPHIE's earliest productions that has been through several revisions since 2011. It was one of three original tracks that Numbers had signed when SOPHIE uploaded the song alongside '\u003cem\u003eBIPP\u003c\/em\u003e' and '\u003cem\u003eELLE\u003c\/em\u003e' to her Soundcloud, and while it had been through several iterations and speed changes, this finalized version was completed by SOPHIE in 2019. SOPHIE once described ‘\u003cem\u003eOOH\u003c\/em\u003e’ as “hi tech club dance pop”.\u003c\/p\u003e\n\u003cp\u003e‘\u003cem\u003eGET HIGHER\u003c\/em\u003e’ was born during joyous sessions in 2013, when SOPHIE's beat was introduced to the vocalists Cassie Davis and Sean Mullins. The track feels like a visionary precursor to ‘\u003cem\u003eVroom Vroom\u003c\/em\u003e', and doesn't sound out of place next to the sub-clang intensity of SOPHIE's ‘\u003cem\u003eHARD\u003c\/em\u003e’ and ‘\u003cem\u003eMSMSMSM\u003c\/em\u003e’. Striking a playful balance between blissed-out hyperpop and club-ready Atlanta trap, it showcases SOPHIE's signature, laser-sharp sound design.\u003c\/p\u003e\n\u003cp\u003eA groundbreaking producer, songwriter, and performer, SOPHIE's visionary approach reshaped the landscape of pop and electronic music. Emerging in the early 2010s, SOPHIE introduced a hyper-detailed, futuristic sound defined by metallic textures, elastic basslines, and an uncanny blend of synthetic and emotional tones. Collaborating with artists including Charli XCX, Madonna, Vince Staples, and Arca, SOPHIE helped pioneer a new pop movement while challenging conventions around identity, genre, and production. SOPHIE's work continues to resonate deeply, leaving a lasting impact on a generation of artists and listeners alike.\u003c\/p\u003e","brand":"Good Vibes Neighbourhood Store","offers":[{"title":"Default Title","offer_id":57163489149310,"sku":"nmbrs48","price":29.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/4032\/2968\/files\/2000x2000bb_d10b5540-940c-44a0-827e-97faf363f3bd.webp?v=1774440004"},{"product_id":"decius-vol-ii-splendour-obedience-lp","title":"Decius Vol. II Splendour \u0026 Obedience LP","description":"\u003cp\u003eA supergroup of sorts - \u003cstrong\u003eFat White Family’s\u003c\/strong\u003e \u003cem\u003eLias Saoudi\u003c\/em\u003e, \u003cem\u003eTrashmouth Records’\u003c\/em\u003e\u003cstrong\u003eLuke\u003c\/strong\u003e and \u003cstrong\u003eLiam May\u003c\/strong\u003e, and \u003cstrong\u003eQuinn Whalley\u003c\/strong\u003e of \u003cem\u003eParanoid London\u003c\/em\u003e and \u003cem\u003eWarmduscher\u003c\/em\u003e - \u003cstrong\u003eDecius\u003c\/strong\u003e have travelled the earth liberating people from banality since the release of \u003cem\u003eDecius Vol. I\u003c\/em\u003e. They’ve revealed to all those they’ve encountered just what was missing in their lives: pump without borders, pump without reason - absolute pump.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDecius\u003c\/strong\u003e live sets at Berghain’s 19th birthday celebrations, Block 9’s NYC Downlow at Glastonbury, and Opium Club in Vilnius have set pulses racing, and they count the likes of \u003cem\u003eDixon\u003c\/em\u003e, \u003cem\u003e2manydjs\u003c\/em\u003e, \u003cem\u003eHoney Dijon\u003c\/em\u003e, \u003cem\u003eMochakk\u003c\/em\u003e, \u003cem\u003eOr:La\u003c\/em\u003e, \u003cem\u003eIggy Pop\u003c\/em\u003e, and \u003cem\u003eDepeche Mode\u003c\/em\u003e as fans.\u003c\/p\u003e\n\u003cp\u003eNow they offer up \u003cem\u003eDecius Vol. II (Splendour and Obedience)\u003c\/em\u003e. It throbs with an almost impossible sense of potential, and expands on the lexicon of molten desire. The sound has moved into new territories, with tastes of house, disco, and techno, all with an underlying base note of acid on tracks such as the slippery night cruise intensity of ‘\u003cem\u003eBirth of A Smirk\u003c\/em\u003e’, where Colonel Abrams gets his nipples tortured.\u003c\/p\u003e\n\u003cp\u003e‘\u003cem\u003eQueen of 14th St\u003c\/em\u003e’ is all watersports and Cybotron force from Detroit via Deptford. First single ‘\u003cem\u003eWalking In The Heat\u003c\/em\u003e’ struts like a sunburnt and horny Kraftwerk, while ‘\u003cem\u003eGhent\u003c\/em\u003e’ is purest uncut ’88 acid. Vol. II is the art of seduction in damp rooms painted black. Keep hydrated from whatever source is available. Be your own pleasure centre.\u003c\/p\u003e\n\u003cp\u003eVol. II is veritable selection box of booty bumps and illegal highs made at night for the night and beyond. This is music that takes pride in its walk of shame.\u003c\/p\u003e","brand":"Good Vibes Neighbourhood Store","offers":[{"title":"Default Title","offer_id":57164500730238,"sku":"bay136v","price":26.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/4032\/2968\/files\/UWtC7Hsg_ca48d9d8_thumbnail_4096.webp?v=1774455015"},{"product_id":"more-eaze-claire-rousay-no-floor-lp","title":"More Eaze \u0026 Claire Rousay - No Floor LP","description":"\u003cp\u003eMore Eaze and Claire Rousay’s collaborations are effortlessly joyful; their music evoking the warmth and respect they have for each other. Their bond goes back to their youthful hometown of San Antonio, Texas where they played in country outfits and noise rock bands respectively. More Eaze (the moniker of violinist\/multi-instrumentalist Mari Maurice) and Rousay have spent the past decade pushing boundaries, standing together at the vanguard of genre-shattering music that thrills and surprises with its vulnerability and creativity.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eNo Floor\u003c\/i\u003e weds their prowess as sound designers and masterful skills as composers with their skills as acoustic instrumentalists. Eschewing the auto-tune inflected pop-psychedelia and found sounds of their previous collaborations, \u003ci\u003eNo Floor\u003c\/i\u003e is collage music as pastoral melancholia, a lush tour into their own version of Americana.\u003c\/p\u003e","brand":"Good Vibes Neighbourhood Store","offers":[{"title":"Default Title","offer_id":57164593824126,"sku":"thrill625","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/4032\/2968\/files\/Limelight_Illegally_-_Single_57b0c657_thumbnail_4096.webp?v=1774456513"},{"product_id":"mabe-fratti-sentir-que-no-sabes-lp","title":"Mabe Fratti - Sentir Que No Sabes LP","description":"\u003chr class=\"Description_separator__I6fYP\"\u003e\n\u003cdiv class=\"Content_description-wrapper__XbO9z\" data-is-open=\"true\"\u003e\n\u003cdiv class=\"Content_inner-wrapper__xBJ2L\"\u003e\n\u003cdiv class=\"Description_truncated-text__yUXZD\"\u003e\n\u003cdiv class=\"Description_descriptionBody__bEN2t\"\u003e\n\u003cdiv class=\"Description_descriptionText__Lgv7A\" data-testid=\"description-product\"\u003e\n\u003cp\u003eA sense of destiny hangs over \u003ci\u003eSentir Que No Sabes\u003c\/i\u003e, Mabe Fratti’s fourth solo-credited album released in a five year span. Her work has always possessed a finely tuned sense of drama capable of expressing a range of emotional states, and across this new album, she conveys the struggle to process various relationships or situations–and the actions that come next. \u003ci\u003eSentir Que No Sabes\u003c\/i\u003e is urgent and clear, poppy, generous and approachable, while showcasing a considerable emotional hinterland. It is also, as Fratti is quick to mention, “groovy.”\u003c\/p\u003e\n\u003cp\u003eWritten and recorded with her partner, multi-instrumentalist, and co-composer Héctor Tosta (I.La Católica, Titanic), \u003ci\u003eSentir Que No Sabes\u003c\/i\u003e is the result of an intense, detail-oriented process. Fueled by a new confidence gained in their collaborative project, Titanic, and its critically acclaimed 2023 LP, Vidrio, the two hunkered down in the familiarity of their studio (aka Tinho Studios) to bash out the initial sonic coordinates of her new record. “We talked and talked, and discussed ways of playing and recording, until things became inevitable,” Fratti explains. “We recorded a bunch of demos at our home studio and that meant we had a lot of time to re-edit and experiment. We really dug in. We were super focused on detail.” Tosta also took up the controls as producer and arranger-in-chief for all additional instruments. The album was later completed at Willem Twee Studios in Den Bosch in the Netherlands, and Pedro y el Lobo Studios and Soy Sauce Studios, in Mexico City.\u003c\/p\u003e\n\u003cp\u003eFor the final studio recordings, the pair were joined by drummer Gibran Andrade and trumpetist Jacob Wick to fill out and expand on Tosta’s percussion and brass arrangements. This small group of friends were able to work quickly and openly, and without fear: a testament to the exhaustive groundwork put in at Tinho Studios. This can be heard in three short, intermediary tracks that also manage to be the most aggressive on the record: “Kitana” (a scratch-laden instrumental that acts as a strange prelude for the last track, “Angel nuevo”) and a pair of two-minute instrumental interludes, “Elastica” I and II. None are throwaway mood pieces; rather they act as emotional cue cards, and hint at the way Fratti and Tosta created the overall atmosphere of \u003ci\u003eSentir Que No Sabes\u003c\/i\u003e.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Good Vibes Neighbourhood Store","offers":[{"title":"Default Title","offer_id":57171507249534,"sku":"uoh012lpx2","price":26.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/4032\/2968\/files\/unnamed_-_2024-04-29T131753.webp?v=1774521095"},{"product_id":"danny-brown-stardust-lp-white-vinyl","title":"Danny Brown - Stardust LP (white vinyl)","description":"\u003cdiv class=\"Content_description-wrapper__XbO9z\" data-is-open=\"true\"\u003e\n\u003cdiv class=\"Content_inner-wrapper__xBJ2L\"\u003e\n\u003cdiv class=\"Description_truncated-text__yUXZD\"\u003e\n\u003cdiv class=\"Description_descriptionBody__bEN2t\"\u003e\n\u003cdiv class=\"Description_descriptionText__Lgv7A\" data-testid=\"description-product\"\u003e\n\u003cp\u003e\u003cem\u003eStardust\u003c\/em\u003e is Danny Brown at his most free – stepping outside the frame to make something raw, melodic, and a little unhinged. The production comes from a crazy cast of outsiders including Frost Children, Underscores, Femtanyl and more. Pulling from experimental pop and underground electronics the final product is messy, emotional, and held together with a strange kind of clarity. \u003cbr\u003e \u003cbr\u003e“I wanted this record to be vulnerable, honest, and free with no crutches – this music has way more white girl hair twists than hip-hop head nods.” – Danny Brown\u003cbr\u003e \u003cbr\u003eThe overall direction for this record is really positive and hopeful – Danny is feeling energised, creatively charged and inspired by working with an amazing mix of exciting producers and collaborators on this record. He is the centre of gravity within the musical world he's curating and the link between all the artists\/features.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Good Vibes Neighbourhood Store","offers":[{"title":"Default Title","offer_id":57172789985662,"sku":"warplp3930","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/4032\/2968\/files\/WARP393_Packshot_Hires.webp?v=1774534962"},{"product_id":"masayoshi-fujita-migratory-lp","title":"Masayoshi Fujita - Migratory LP","description":"\u003cp\u003eJapanese vibraphonist and marimba player Masayoshi Fujita returns with Migratory, his masterful new solo album, where his sonic explorations into the unknown continue.\u003c\/p\u003e\n\u003cp\u003eIn 2019, after 13 years of living in Berlin, Fujita returned to his native Japan with his wife and their three children, fulfilling his life-long dream of living and composing music in the midst of nature. The family found their new home in the mountain hills along the coast of Kami-cho, Hyōgo, three hours west of Kyoto.\u003c\/p\u003e\n\u003cp\u003eOnce settled in, Fujita spent his time turning an old kindergarten into his own music studio, Kebi Bird Studio, which became the birthplace of Migratory. On his new album, the composer and producer masterfully reimagines and mesmerises with his trademark sounds of vibraphone, and resumes his experimentation with the marimba and synthesisers that he first incorporated on his 2021 album, Bird Ambience, which followed the release of his acclaimed vibraphone triptych: Stories (2012), Apologues (2015) and Book of Life (2018).\u003c\/p\u003e\n\u003cp\u003eOn Fujita’s ever-evolving list of collaborators, Migratory introduces vocals from Moor Mother on ‘Our Mother’s Lights’ and Hatis Noit on ‘Higurashi’, as well as shō and saxophone to its soundscapes. Whilst at a music residency in Stockholm in 2021, Fujita met Swedish shō player Mattias Hållsten. Although it was a brief encounter, the two musicians stayed in touch. During a visit to Japan, Hållsten stopped by the studio and played on three of the tracks, including the alluring album closer ‘Yodaka’, exceeding Fujita’s own expectations.\u003c\/p\u003e\n\u003cp\u003eAnother collaborator, American poet Moor Mother asked Fujita to contribute vibraphone to her upcoming album, and in return lent her powerful voice to the Migratory’s centrepiece, Our Mother’s Lights — “it carries a kind of African and Asian vibe, a perfect match for the energy of the piece,” he adds.As with Bird Ambience, Fujita continues to be inspired by our feathered friends. The album’s title, \u003ci\u003eMigratory\u003c\/i\u003e, originates from an image that came to him of migratory birds, travelling somewhere between Africa, East Asia and Japan, imagining them hearing the music from the land underneath, and how their point of view of the world from above blurs the boundaries of music and land. Expanding on this, Fujita says: “these ideas and images were inspired by my experiences of living abroad and returning to my homeland, as well as by the artists featured on this album who also somehow travelled or lived in other countries across the boundaries, and being influenced by the music of other lands but at the same time somehow led to their roots”.\u003c\/p\u003e\n\u003cp\u003eMasayoshi’s parents too made a life abroad in Thailand for over 15 years. After returning to Japan, Fujita’s mother passed away in the beginning of 2023. So he invited his father to come for a visit, to spend time with him and his grandchildren. A lifelong musician in his own right, the two of them soon found themselves holed up in Kebi Bird Studio. Fujita senior had brought his saxophone, which he played on top of the then unfinished recordings, resulting in three breathtaking pieces. The slow jazz-tinged ‘Blue Rock Thrush’ stands out, with the saxophone and marimba blending harmoniously reaching new artistic heights.Nature has always been a source of inspiration for Fujita, and on Migratory it takes centre stage. You can hear it on the album’s peaceful and considered field recordings, but most importantly, Masayoshi highlights – “nature is there as the image to be evoked by the listener from the music.” On the record’s sleeve notes, written by renowned novelist and travel writer Pico Iyer, we learn about the Japan that he hears as he sits down and listens to the music. It educates and encapsulates us, in the same way Fujita’s imaginary birds vividly depict the essence of musical migration.\u003c\/p\u003e","brand":"Good Vibes Neighbourhood Store","offers":[{"title":"Default Title","offer_id":57172950253950,"sku":"eratp167lp","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/4032\/2968\/files\/e6e4c923-eb77-3852-98a8-83c96c3ac8f1_26f16aa2_thumbnail_4096.webp?v=1774536742"},{"product_id":"david-moore-graze-the-bell-lp","title":"David Moore - Graze The Bell LP","description":"\u003cp\u003e\u003cem\u003eGraze the Bellis\u003c\/em\u003e a collection of soul-stirring, mesmerising solo piano pieces, and the most distilled offering of David Moore’s artistry to date. Known for his atmospheric compositions with Bing and Ruth, as well as his collaborations with guitarist Steve Gunn and Cowboy Sadness, this marks Moore’s first widely shared solo piano album.\u003c\/p\u003e\n\u003cp\u003eLike the cover–a photograph that Moore embroidered by hand–the music abstracts personal experiences into transcendent impressions. Using his piano to meditatively inquire into the human condition, \u003cem\u003eGraze the Bellis\u003c\/em\u003e a sanctuary of sound . Across their numerous releases, Bing and Ruth frequently changed shape and sound, swelling to a fifteen-piece group and holistically arriving at atrio configuration. Their most recent album Species foregrounded Moore’s Farfisa playing, while a subsequent EP of the same name featured his solo interpretations of the record.\u003c\/p\u003e\n\u003cp\u003eThis long arc of distillation has always centered on Moore’s composition for, and comprehension of, the piano. After two decades of acclaimed ensemble work, Graze the Bell’s appearance is a full circle moment, a coming home—not simply to a place or time, but to a luminous center that transcends both. Some of the material on Graze the Bell was originally planned for a Bing \u0026amp; Ruth album, but it was ultimately reimagined as a solo undertaking. Using only the piano, Moore sought to expand upon the reliable methods he had developed over the years. “I want to keep growing,” he says, “and challenge dogmatic ways of thinking.”Actively embracing experimentation and seeking a deeper presence in his playing, he reassessed his relationship to the piano and to life. While Moore’s music is based on composed notations and draws from life experiences, the source of his inspiration remains more ineffable. Consciously nurturing the latter, he developed a natural ability to tune into a trance-like state. Moore can sit down with that intention, “and within a few seconds,” he is “totally there.”From the first note to the last, the album is grounded in the breathtaking tone of a “beastly” 1987 Hamburg Steinway Model D. This is partly to do with his subtle playing style, which at times touches upon silence. Moore’s graceful approach gives space to the sound, revealing hues of the piano that many players would habitually ignore. Such nuances were nurtured in the process of recording the album at the renowned Oktaven Audio in Mt. Vernon, New York. The tone of the studio’s Steinway was vividly captured by the production guidance of Grammy Award-winning Ben Kane with assistance from Owen Mulholland. Reinforcing Moore’s experimental approach, they creatively misused pitch-correcting software to orchestrate the different registers of the piano’s tonal profile.\u003c\/p\u003e","brand":"Good Vibes Neighbourhood Store","offers":[{"title":"Default Title","offer_id":57173053505918,"sku":"rvngnl132","price":23.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/4032\/2968\/files\/unnamed_13_6ec642f4-821a-4f33-8eec-86fe251280de.webp?v=1774537511"},{"product_id":"blue-lake-sun-arcs-lp","title":"Blue Lake - Sun Arcs LP","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eWeaving between self-built zithers, drones, clarinets, slide guitars and drum machines, ‘Sun Arcs’ presents a unique sound space formed by an inventive approach to acoustic folk and jazz.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe starting point of ‘Sun Arcs’ saw Jason travel for a week alone to Andersabo, a cabin set in the Swedish woods just outside of Unnaryd, known also as the music project, festival and residency space which has been run by Dungan since 2016, hosting artists like Sofie Birch, Johan Carøe and Ellen Arkbro. Whilst writing 1-2 pieces per day, a conscious decision was made to leave behind everyday distractions and shut out the outside world to instead focus on the natural passage of time as Dungan recalls:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e“My only sense of time came from these daily walks out in the woods with my dog, and an awareness of the sun’s path as it moved across the sky each day.”\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe album’s immersive world unfolds with the opener ‘Dallas’, a musical synthesis of these two disparate spaces (Texas and Denmark), the touchstones of Dungan’s life. A folk-esque single acoustic builds to a flowing arrangement of clarinets, organ and cello drones coupled with percussion. ‘Green-Yellow Field’ chimes in as the first of two solo oriented zither recordings twinned with the\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e dreamlike title track ‘Sun Arcs’, both densely rich as cascading and overlapping harmonic tones resound. ‘Bloom’ emerges with a krautrock psyche before an eruption of cello drones, slide guitar and free-ranging zither playing, ushering in the anticipation of spring.\u003cbr\u003e\u003cbr\u003e“The title and the feel of the song comes simply from my summers in Sweden – when the plants and insects are opening up everywhere, and there’s this almost too-intense feeling of life outside.”\u003cbr\u003e\u003cbr\u003eWith half of the recordings conceived in Andersabo, Jason returned to Copenhagen to form the album's centre piece ‘Rain Cycle’ which features a tempered Roland drum machine alongside shifting zither improvisations. ‘Writing’ explores the shimmering harp-like qualities of sweeping playing figurations with Dungan mapping out adjusted tuning “zones” on the zither for unconventional but creatively liberating effects. ‘Fur’ captures the feeling of openness and the momentum of time, seeing Dungan perform waves of solo clarinet, often in one takes and embellished with textural drones, a zither solo, and layers of guitar. ‘Wavelength’ the album's closer is fondly inspired by the film works of Michael Snow and Don Cherry’s seminal live album ‘Blue Lake’ (1974), as it builds out from a drone-generated zither chord and features an alto recorder solo. Dungan found a deep connection to Cherry’s stripped back performance ethos, focusing on the core beauty of minimal instrumentation creating a genre-less meeting between folk and jazz. A dialogue is formed between the solo and the bandlike performances, interlinked in a geographical duality with all finding a sense of commonplace as musical sketches of visited landscapes. The bountiful instrumentation ebbs and flows as further layers emerge with Dungan constructing his material by recording and reviewing, adding and subtracting.\u003cbr\u003e\u003cbr\u003eMusically it portrays a life led by an American person living in Scandinavia, responding to both the local music and landscape while looking back to American influences. Dungan concludes:\u003cbr\u003e\u003cbr\u003e“Both places feel like “me”, I think on some level the music is always some kind of self-portrait.”\u003cbr\u003e\u003cbr\u003e‘Sun Arcs’ depicts the intricate balance of nature’s cycles and the paths outlined by the seasons, from a winter dormancy to a warm sun drenched scene. The album scales new heights and further defines Dungan’s musical narrative, inhabiting a unique space in left-field, improvised and experimental music, bearing his most accomplished compositions to date. A singular and visionary expression, drawing on an array of instruments and sound worlds with a renewed sense of joy and discovery.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Good Vibes Neighbourhood Store","offers":[{"title":"Default Title","offer_id":57173145518462,"sku":"tu002lp","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/4032\/2968\/files\/a2148360145_1x1_700.avif?v=1774538110"},{"product_id":"william-onyeabor-body-soul-lp","title":"William Onyeabor - Body \u0026 Soul LP","description":"\u003cp\u003eWilliam Onyeabor was born outside Enugu, a small, rural town in Eastern Nigeria, he created his own genre of African electronic funk in the late 70s and early 80s, making music completely unique for his time. Today, he is reaching cult status among a growing list of admirers, including everyone from Damon Albarn and Hot Chip to Carl Craig and Madlib, with some likening him to the Kraftwerk of West Africa, or a precursor to LCD Soundsystem.\u003c\/p\u003e\n\u003cp\u003eAmong the crate-digging few that knew of him, he is considered a complete myth. While he has never performed live and almost never given interviews, his fantastical biography is scattered and has to this day not been verified. And he refused to speak about anything regarding the past.\u003c\/p\u003e\n\u003cp\u003eAccording to various rumors, he left home following the Biafran War and went to study cinematography in the Soviet Union, returning in the mid-70s to start his own film company and record label, Wilfilms. He then self-released eight remarkable records from 1978-1985. He wrote and produced everything on his own, and possibly played every instrument himself. Then, at some point of his life, he became born again and denounced his earlier music, deciding it is something he would never speak about.\u003c\/p\u003e","brand":"Good Vibes Neighbourhood Store","offers":[{"title":"Default Title","offer_id":57173274952062,"sku":"lp-lbop-5035c","price":26.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/4032\/2968\/files\/0680899503501_e62750dd-61a5-4607-9591-58f239bb3c62_994x994_jpg.webp?v=1774539091"},{"product_id":"gregory-uhlman-extra-stars-lp-colour-vinyl","title":"Gregory Uhlman - Extra Stars LP (colour vinyl)","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eExtra Stars is a deeply beautiful expression of Gregory Uhlmann’s ever-evolving sound world, and comes at a pivotal juncture in the LA-based composer, producer, guitarist and multi-instrumentalist’s musical journey.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFollowing a long run of supporting work with artists like Perfume Genius, Tasha, and Hand Habits, alongside an eponymous recorded output largely focused on his more singer-songwriter oriented music, Uhlmann has spent the better part of the last couple years trotting out album after album of groundbreaking instrumental modern music. From the sparse melodies and hushed ambient soundscapes of Small Day, to his much-lauded duo outing Doubles with Meg Duffy, to his perhaps lesser-known but no-less-brilliant duo record Water Map with Dustin Wong, to the lush chamber-jazz interplay of his trio recording with saxophonist Josh Johnson and bassist Sam Wilkes, to the two genre-breaking albums he released as a co-leader of synth-laced trance-jazz quintet SML (2024’s Small Medium Large and 2025’s How You Been), Uhlmann has subtly, if not quietly, established himself as an essential presence in some of the most progressive recordings of our time.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eExtra Stars encompasses all he’s learned through all\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e the above. A radiant sidereal serenade, the album’s fourteen miniature infinities swirl serendipitous synthesis and measured, melody-rich song into a panoramic menagerie of sound. For a record that seldom incorporates percussion instruments, the music is distinctly rhythm-forward, while Uhlmann also leans heavily into swaths of pastoral beauty. Extra care was clearly poured into the kind of harmonic depth that’s often missing from vibe-only “ambient” music, making for a delightfully refreshing take on the electronic, processing-heavy 'quiet' sound.\u003cbr\u003e\u003cbr\u003eThe compositions and production techniques here reflect Uhlmann’s musicality perfectly, surely the result of him being as much a seasoned practitioner as he is an avid listener. If there is a middle ground between Cluster \u0026amp; Eno, Terry Riley’s Shri Camel, and Yo La Tengo’s There’s a Riot Going On, it’s somewhere nearby. Lofty comparisons aside, Extra Stars seems to look beyond reference or imitation. Even the album’s title indicates as much—inspired by a trip to California’s Ancient Bristlecone Pine Forest, where the reality of the night sky’s starry expanse stretches beyond the boundaries of belief. \u003cbr\u003e\u003cbr\u003eWe can feel Uhlmann’s gaze past the horizon line from the jump. Album opener “Pocket Snail” kicks off with a slow-ambling synth bass line before opening up into a richly processed, reverberating cacophony of beautiful sliding melodies. Eyes wide open, the small world of the pocket snail begins to burst with new color after a fresh injection of sunlight, but the tonality is more akin to something of a simple torch ballad. It’s an immense clash of big and small, and sets the stage nicely for the delightful vantage point shifting to come throughout the record. \u003cbr\u003e\u003cbr\u003e“Lucia” is named after a quaint lodge nestled amongst the cliffside drama of Big Sur, and the tune’s musical rendering of an intimate yet expansive perspective perfectly fits its namesake. The steady thump and chime of Uhlmann’s guitar repetitions sit atop a field recording of the distant, heavy-winded ocean crash of the Cabrillo Highway coast, held even steadier by harbor bell metallic clank percussion and a firm yet pillowy cluster of electric organ chords and mellotron-like leads. Enter saxophonist Alabaster DePlume, the track's lone feature, with his signature breathy reed work. Here DePlume’s vibrato-heavy tenor sax wandering adds a secret-among-friends intimacy to a sonic scene that could go for miles. DePlume hums low in multitrack as Uhlmann leads the steady pulse on, encountering syncopated harmonic pings, fluttering recorder flourishes, and the little bustling sounds of the rural Pacific shoreline. Earworms must live in the ocean air, because it’s tough to get any element of “Lucia” unstuck once it’s in, and the whole thing is all tied up in a bow in just under three and a half minutes. Equally playful and introspective, “Lucia” is the potential soundtrack to a close reading or a thousand yard stare. If Jim Henson dreamt Link’s Awakening this would be the sound he heard. \u003cbr\u003e\u003cbr\u003e“Burnt Toast” is an essential example of Uhlmann’s penchant for using the guitar to make non-guitar sounds. That’s not to say that what is occurring here is a simple act of processing. Rather, Uhlmann has a distinct and instantly recognizable ability to play the instrument itself in a way that lends to drastic and realtime tonal transformation. Clocking in at a lean 1:25, it’s a quick and lively skip through a blend of complimentary and warring syncopations—another hallmark of Uhlmann’s style—topped with synthetic glissandos and stereo-image warbles placed just so. What really makes it gel, though, is the harmonic simplicity that the transformative madness is serving. At the end of the day, the basic structure of “Burnt Toast” is an uncomplicated chord progression. \u003cbr\u003e\u003cbr\u003eThat essential simplicity, leaning into tonal expressions of quiet joy and deep longing, could be the most relevant throughline in Uhlmann’s work. On Extra Stars it’s likely best exemplified on “Days,” a serene 7+ minute track born in the nerve shattering confusion of 2020. “It was made in my old apartment and felt like a way of self soothing by playing the same chords over and over again,” says Uhlmann. The result is a wisping, languid, near free-time drift through a progression that manages to maintain its directness despite its slow-building reverberated accompaniment. Like a Harold Budd take on the somber fingerpicked elegance of Frantz Casseus, “Days” wanders through the speakers with an almost nostalgic air. A grandmotherly wall organ melody sings around dancing piano notes as chattering synthesis renders itself percussive amongst the steel string comfort of Uhlmann’s electric guitar. It’s the kind of recording that could go on forever and maybe, somewhere, it’s doing just that. On Extra Stars, though, it acts as a spiritual centerpiece, rejuvenating the listener as it fades out slowly, cleansing and leaving us ready for more. \u003cbr\u003e\u003cbr\u003e“Back Scratch” is collage-cut from a series of piano improvisations and post-composed with pitch-shifted percussion contributions from Uhlmann’s SML bandmate Booker Stardrum. Uneven loops syncopate in chance mode while the barrage of high-register notes conflate with Stardrum’s stickwork to cement a rhythm dense enough to nearly become a drone. The impulsive comparison to the intensely rhythmic zither dance of Laraaji would be understandable, but mostly inaccurate. “Back Scratch” is produced in a markedly raw, un-reverberated manner—and it’s precisely that stark wonkiness that separates it from something like Day Of Radiance and makes it more akin to a basement DIY crack at Reich’s Drumming. That said, its brevity and singularity among the wildly diverse Extra Stars tracklist means that it might be (just maybe) more actual fun to listen to than both of those records. \u003cbr\u003e\u003cbr\u003eThe guitarless moments on Extra Stars shine as brightly as those that highlight Uhlmann’s primary instrument, but even those departures display themselves distinctively, especially when he invites and directs a collaborator. The labcoat synth silliness and percussive b-ball bounce of “Dottie,” for instance, contrasts sharply from the unbridled beeswarm rhythm composite of “Worms Eye” despite the implementation of the same tools and techniques—likely due to the co-production presence of synthesist Jeremiah Chiu (another SML bandmate) on the latter. Regardless, there’s no mistaking an Uhlmann composition and there’s no mistaking when he’s at the helm. For instance, while Chiu’s presence can certainly be felt on “Voice Exchange,” its outlandish rhythm focused take on the pitch-shifted vocals of longtime Uhlmann collaborator Tasha couldn’t be further from the other Chiu co-productions on Extra Stars. \u003cbr\u003e\u003cbr\u003eThe ability to maintain a recognizable voice across vast stylistic shifts, while employing the talents of those who also possess singularly recognizable voices, is not something that is heard often and it’s Uhlmann’s ability to recognize what makes each collaborator unique that makes it work here. A great example is “Bristlecone,” which finds him directing the powerful low-end command of Anna Butterss’s bass and the multiphonic mystery of Josh Johnson’s processed alto. The composition and arrangement are supported at every turn by Uhlmann’s SML bandmates without the result ever wandering away from something we can hear as distinctly his. Like David Bowie, Joni Mitchell, or Miles Davis, Uhlmann uses collaboration to both support and transform. To reinforce and evolve. With Extra Stars he has delivered such a promising collection of instrumental concepts following an extended period of vast, high-level artistic output. There’s no doubt that it will continue to be a joy to experience that evolution in real time.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Good Vibes Neighbourhood Store","offers":[{"title":"Default Title","offer_id":57202403344766,"sku":"iarc0107","price":27.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/4032\/2968\/files\/a100696238_1x1_700.avif?v=1775143502"},{"product_id":"edwin-r-stevens-a-plague-of-gimps-lp","title":"Edwin R Stevens - A Plague of Gimps LP","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eWelsh-born, now Glasgow-based writer and recording artist, Edwin R Stevens presents A PLAGUE OF GIMPS, a minimal and absurd 10 song affair dwelling on grief, hereditary dumb f*ck blues, false memory, nuclear bunkers and blood-letting gimps amongst other things.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eYou may know Edwin from his Irma Vep pseudonym and a peerless back catalogue on labels such as Faux Disc and Gringo. He was also behind The Web Of Lies album \"Nude With Demon\" (Wrong Speed, 2022) as well as the guitar portion of free-rocking duo Yerba Mansa (among many other projects).\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIn 2021, Emyr Williams (rest in power, hero) asked Edwin to make an album under his own name for his label Ankst, resulting in the incredible \"God On All Fours\" (2023). Perhaps it’s too simple to say that making music under his own name allowed Edwin to be more honest, direct and personal but it certainly feels that way to anyone listening. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"A Plague Of Gimps\" is the follow-up. The gimps of the title would seem to refer to the mental intrusions that tie us all in knots. We revisit, replay and over-think to infinity, time ticking as our single shot at happiness and fulfilment slides into a whirlpool of\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e repetitious thought. \u003cbr\u003eThose recurring \/ intrusive themes still shape the songs but now it feels they’re being dealt with differently. Edwin describes \"A Plague Of Gimps\" as a “hangover” of the previous album – the themes of \"God On All Fours\" linger but are no longer obsessions: \u003cbr\u003e“I can tell I’m moving on, and I’m proud\/happy with that”\u003cbr\u003e\u003cbr\u003eYou can hear this too. The lyrics feel more refined – the stories might be longer and more densely-packed, but the storytelling is sharper. The absurd imagery that characterises Edwin’s work was always used to disarm and disrupt but now it puts the listener in a place where the heaviness of the story can hit the hardest. The instrumentation is stripped back to give those lyrics the space they need and the sonic choices illuminate the songs perfectly and magically. \u003cbr\u003e\u003cbr\u003eA word from Wrong Speed: this record destroys us. We've lived with it for some time now and it's burnt itself into us. There's heavy music out there with battle jackets and big amps and edgy imagery and whatever else. But this is different. This is crushing. The space in the music left for the voice is like leaving a door ajar to let the monster in. \u003cbr\u003e\"A Plague Of Gimps\" is a beautiful and personal record. A moment in a life caught and bottled perfectly and uniquely. \u003cbr\u003e\u003cbr\u003ePut simply: no one does it like this.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Good Vibes Neighbourhood Store","offers":[{"title":"Default Title","offer_id":57206949413246,"sku":"wsr082","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/4032\/2968\/files\/a1362594353_1x1_700.avif?v=1775228182"},{"product_id":"chat-pile-hayden-pedigo-in-the-earth-again-lp","title":"Chat Pile \u0026 Hayden Pedigo - In The Earth Again LP","description":"\u003cp\u003eA collaboration forged in the heart of the American Midwest, \u003cem\u003eIn The Earth Again\u003c\/em\u003eunites Oklahoma City’s noise rock institution Chat Pile with Texas\/Oklahoma’s visionary guitarist and composer Hayden Pedigo.\u003c\/p\u003e\n\u003cp\u003eWhat began as a casual split release idea spiraled into a thirty-six-minute album that threads their contrasting sensibilities into something entirely new.\u003c\/p\u003e\n\u003cp\u003ePedigo’s panoramic, primitive guitar, meets Chat Pile’s industrial decay, creating a record that explores unknown emotional registers and atmospheric depth for both, \u003cem\u003eIn The Earth Again\u003c\/em\u003e sounds like a post-apocalyptic transmission from rural nowhere.\u003c\/p\u003e\n\u003cp\u003eInstead of making concessions, the five artists work as a single unit, and each decision is made in support of the greater vision. The result is both intimate and expansive, a tribute to the modern wasteland.\u003c\/p\u003e","brand":"Good Vibes Neighbourhood Store","offers":[{"title":"Default Title","offer_id":57246166843774,"sku":"cs013lp-2025","price":31.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/4032\/2968\/files\/ChatPileandHaydenPedigo-IntheEarthAgain.webp?v=1776167923"},{"product_id":"reuben-vfvd20-lp","title":"Reuben - VFVD20 LP","description":"\u003cdiv\u003eCelebrating 20 years of Reuben’s second album \u003cem\u003eVery Fast Very Dangerous,\u003c\/em\u003eXtra Mile\u003c\/div\u003e\n\u003cdiv\u003eRecordings release a special anniversary edition triple LP featuring the original\u003c\/div\u003e\n\u003cdiv\u003ealbum, demos, new illustrated artwork from frontman Jamie Lenman and an etching. The\u003c\/div\u003e\n\u003cdiv\u003eartwork also includes never seen before photos taken by renowned photographer Scarlet\u003c\/div\u003e\n\u003cdiv\u003ePage from around time of the album’s recording in 2005.\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eRecorded and produced by Chris Sheldon (Biffy Clyro, Foo Fighters) the album features the singles – ‘A Kick In The Mouth’ and ‘Keep It To Yourself’ as well as the epic ‘Every time A Teenager Listens To Drum and Bass A Rockstar Dies’. The demos included in this anniversary edition were recorded at Jacob's Studios in Farnham are of the entire album plus other non- album tracks. These are the first time these demos have been released on vinyl.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eDisc 1\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSIDE A\u003c\/p\u003e\n\u003cp\u003e1. A Kick In The Mouth - Reuben\u003c\/p\u003e\n\u003cp\u003e2. Some Mothers Do 'Ave 'Em - Reuben\u003c\/p\u003e\n\u003cp\u003e3. Best Enemies - Reuben\u003c\/p\u003e\n\u003cp\u003e4. It's All About Control - Reuben\u003c\/p\u003e\n\u003cp\u003e5. Every Time A Teenager Listens To Drum \u0026amp; Bass A Rock Star Dies - Reuben\u003c\/p\u003e\n\u003cp\u003e6. Nobody Loves You - Reuben\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSIDE B\u003c\/p\u003e\n\u003cp\u003e1. Blamethrower - Reuben\u003c\/p\u003e\n\u003cp\u003e2. Keep It To Yourself - Reuben\u003c\/p\u003e\n\u003cp\u003e3. Lights Out - Reuben\u003c\/p\u003e\n\u003cp\u003e4. Alpha Signal Three - Reuben\u003c\/p\u003e\n\u003cp\u003e5. Goodnight - Reuben\u003c\/p\u003e\n\u003cp\u003e6. Return Of The Jedi - Reuben\u003c\/p\u003e\n\u003cp\u003e7. Boy - Reuben\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDISC 2\u003c\/p\u003e\n\u003cp\u003eSIDE C\u003c\/p\u003e\n\u003cp\u003e1. Don't Die (Jacobs Demo)\u003c\/p\u003e\n\u003cp\u003e2. Blitzkrieg (Jacobs Demo)\u003c\/p\u003e\n\u003cp\u003e3. Approaching By Stealth (Jacobs Demo)\u003c\/p\u003e\n\u003cp\u003e4. Worn To Be Seen (Jacobs Demo)\u003c\/p\u003e\n\u003cp\u003e5. Three Hail Marys (Jacobs Demo)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSIDE D - Etching\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eDISC 3\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eSIDE E\u003c\/p\u003e\n\u003cp\u003e1. A Kick In The Mouth (Jacobs Demo)\u003c\/p\u003e\n\u003cp\u003e2. Some Mothers Do 'Ave 'Em (Jacobs Demo)\u003c\/p\u003e\n\u003cp\u003e3. Best Enemies (Jacobs Demo)\u003c\/p\u003e\n\u003cp\u003e4. It's All About Control (Jacobs Demo)\u003c\/p\u003e\n\u003cp\u003e5. Every Time A Teenager Listens To Drum \u0026amp; Bass A Rock Star Dies (Jacobs Demo)\u003c\/p\u003e\n\u003cp\u003e6. Nobody Loves You (Jacobs Demo)\u003c\/p\u003e\n\u003cp\u003eSIDE F\u003c\/p\u003e\n\u003cp\u003e1. Blamethrower (Jacobs Demo)\u003c\/p\u003e\n\u003cp\u003e2. Keep It To Yourself (Jacobs Demo)\u003c\/p\u003e\n\u003cp\u003e3. Lights Out (Jacobs Demo)\u003c\/p\u003e\n\u003cp\u003e4. Alpha Signal Three (Jacobs Demo)\u003c\/p\u003e\n\u003cp\u003e5. Good Night (Jacobs Demo)\u003c\/p\u003e\n\u003cp\u003e6. 6. Recouping Is So 1987 (Jacobs Demo)\u003c\/p\u003e\n\u003cp\u003e7. 7. Boy (Jacobs Demo)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Good Vibes Neighbourhood Store","offers":[{"title":"Default Title","offer_id":57246208360830,"sku":"xmr201lp","price":45.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0601\/4032\/2968\/files\/20000000330424.webp?v=1776168226"}],"url":"https:\/\/goodvibesrecords.co\/collections\/recommends.oembed","provider":"Good Vibes Neighbourhood Store","version":"1.0","type":"link"}